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You can view the lyrics, alternate interprations and sheet music for Radio Head's Creep at Lyrics.org.
Lyrics
When you were here before
Couldn’t look you in the eye
You’re just like an angel
Your skin makes me cry
You float like a feather
In a beautiful world
I wish I was special
You’re so fuckin’ special
But I’m a creep, I’m a weirdo
What the hell am I doing here?
I don’t belong here.
I don’t care if it hurts
I wanna have control
I wanna a perfect body
I wanna a perfect soul
I want you to notice
When I’m not around
You’re so fuckin’ special
I wish I was special
But I’m a creep, I’m a weirdo
What the hell am I doing here?
I don’t belong here.
She’s running out again,
She’s running out
She’s run run run run
Run
Whatever makes you happy
Whatever you want
You’re so fuckin’ special
I wish I was special
But I’m a creep, I’m a weirdo
What the hell am I doing here?
I don’t belong here
I don’t belong here
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Radiohead’s ‘Creep’, since its release in 1992, has settled into the hearts of millions as the unofficial anthem of the outsider. Often misunderstood as just another self-deprecating track, its raw lyrical confession and anguished melody encapsulate the universal longing for belonging and the stark reality of self-alienation. We delve deep into the existential reverberations of this grunge-era lullaby.
Though met with mixed reviews and feelings of regret from the band itself, ‘Creep’ undeniably anchored Radiohead’s place in the musical cosmos. Peering behind the curtain of Thom Yorke’s enigmatic songwriting, this article seeks to explore the emotional layers and significant undertones that have cemented ‘Creep’ as an enduring piece of artistic commentary on the human condition.
The Lament of the Unseen: A Dissection of Invisibility
At the core of ‘Creep’ lies the heart-rending sensation of invisibility. ‘I want you to notice when I’m not around,’ Yorke pleads, encapsulating a deep-seated need for acknowledgment. It’s a cry that echoes through the corridors of our society where the roar of the crowd often drowns out the whispers of the wallflowers.
The verse’s narration points towards a soul that feels eclipsed by the radiance of another, an ‘angel’ against whom one measures their own lacking brilliance. It’s a dichotomy that resonates with anyone who has ever felt overshadowed, undervalued, or simply not enough.
Divine Desire Meets Mortal Discontent: Parsing Yorke’s Yearnings
By juxtaposing celestial imagery with mortal dissatisfaction, ‘Creep’ pinballs between divine aspiration and corporeal desolation. The yearning for a ‘perfect body’ and a ‘perfect soul’ isn’t merely vanity; it’s a deeper, guttural longing to rise above the mundane, the flawed, the ordinary.
Yorke doesn’t just explore the physicality of desire but scales the philosophical cliffs of perfection, asking listeners to confront their own impossible quests for transcendence. It’s an unattainable wish that reveals the tragic beauty in our pursuit of an idealized version of self and others.
An Uncomfortable Mirror: Confronting the Creep Within
The self-admonishment ‘I’m a creep, I’m a weirdo’ isn’t just a chorus; it’s a mirror thrust upon us. With stark, uncomfortable clarity, ‘Creep’ dares to voice the internal monologue that is seldom shared — an admission of one’s perceived deviance from the norm.
Yet, in its brutal honesty, the song becomes an inadvertent anthem of empowerment for the ostracized, the misfits, the ‘weirdos’. Radiohead manages to create an outlet for self-acceptance precisely through the articulation of self-doubt.
The Hidden Meaning: How ‘Creep’ Speaks to Societal Constructs
Beyond the personal, ‘Creep’ wields a silent commentary on societal constructs and the cruel game of fitting in. Yorke’s rhetorical ‘What the hell am I doing here?’ resonates as a challenge to cultural gatekeeping, a resistance against the pressure to conform.
The song subtly critiques the social grading scale that tags individuals as ‘special’ or ‘ordinary’, questioning the validity of such labels. Thus, ‘Creep’ becomes more than introspection; it becomes a symbolic rebellion against imposed hierarchies.
In the Wake of Haunting Melody: The Lines That Echo in Silence
In the realm of musical poetry, certain lines linger long after the silence sets in. ‘You float like a feather in a beautiful world’—it’s lyricism that’s mournfully picturesque, capturing the essence of wistful admiration and resigned despair.
The song’s crescendo lies in the remarkably simple and raw elocution. When Yorke delivers the line ‘You’re so fuckin’ special, I wish I was special’, it’s as if the instruments fall away, leaving the stark nakedness of human desire bared to the listener — an unforgettable, echoing sentiment.
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